Monday, 16 May 2011

How to Re-Write a Novel I

Have you ever been to a posh dinner and been presented with a vast array of silverware spreading in ranks either side of your plate? Re-writing is like dealing with all those forks and spoons without getting it wrong and spilling soup down your front, or using the butter-knife to eat your peas. The simple answer is to start from the outside and work your way in.

I'm a BIG fan of rewrites. I think the quality of the rewrites is the difference between getting published or not getting published. (I can hear the planners clattering away at their keyboards about to lay into me for wasting time and not being efficient enough to do a decent piece of work first time round but hey - this is my blog, right, and what I say goes.)

The first thing to do is put the book away for as long as you can manage. The longer you leave it, the more distance you have. The more distance you have, the more you read like a disinterested reader, and the more you're able to spot problems. There's what you think you wrote and there's what you actually wrote, and if you're too close you can't see if there's a gap.

When I did this on my first novel the gap was about four months, mainly because I was incensed that the world hadn't realised what a startling work of genius had just landed on their doorstep and turned it down. Cue metaphorical flouncing out of the room and mega sulks from me. When I did finally go back I was ready to concede that the world might have a point.

So imagine spreading your starched linen napkin across your lap, gearing up for the lovely meal ahead. You've been thinking about it for ages, you've got various ideas as to what you might expect to see but you're open to whatever turns up on your plate. You know it's going to take time to get through all the courses and you're ready for that. Psychologically you're prepared for it to take as long as it needs. Ready? First course coming up...

4 comments:

Jim Murdoch said...

I’ve just reread my fourth novel after not touching it for about five years so it was like reading a new book; I knew the gist of the action and that was it. But picking it up fresh was a real joy. It does not need rewriting, just a good proofing. I’ve just finished the second run though and now it’s off to others to pick at it for a while. Of course I’m the exception rather than the norm and certainly no jobbing writer could afford to sit on a perfectly decent book for this length of time but you are right, the further you can distance yourself from the work the better. You need to gain objectivity, you need to let go of the work and while your head is still in that world you will never get it.

Fiona Faith Maddock said...

How did you know I was poised on the edge of a massive rewrite? In fact I have had to dismantle my novel completely and more or less start again. Luckily I can use about half of what I've written but this process is some eye-opener, I can tell you. Very timely advice for me, so thanks a million for that.

badas2010 said...

Likewise I'm midway through a re-write, and it's a painstaking job alright. The new version is quite a bit shorter than the first one because I keep finding sections of unnecessary stuff that I thought were fine first time around.
We live and learn (hopefully!).

Sarah Duncan said...

The only consolation I can offer is that it does get easier with practice. After you've done major surgery to a few novels you know you can chop them up and they will survive and be better for it.